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Designed as tools for teaching and artistic practice
“Now there was a man in Jerusalem whose name was Simeon
Parte del ricavato sarà utilizzato per il sostentamento del movimento
off-text plate for Dernières Œuvres de Matissefor Verve 35-36
the exhibition poster was printed
KŌRIN FURUYA, Kōrin-style Patterns n. 73, 1897 sculture Designed as tools for teachingStunning proof with excellent colors, in the first edition. Printed on paper from Japan during the Meiji era (18681912). In exceptional condition, with untrimmed margins all around. Bibliography J. T. Carpenter, Designing Nature: The Rinpa Aesthetic in Japanese Art, The Metropolitan Museum of Art, 2012, p. 111 J. Hillier, The Art of the Japanese Book, London: Sothebys, 1987 A. Jackson (ed.), Kimono: The Art and Evolution of Japanese Fashion, London:
